Odyssey. He's soft-hearted. Unless there's a tough female biker, then it's a fight between Lemon and Labyrinth.
Eternal Sunshine isn't exactly conducive to that. We want to be evoking a simpler time. I could tell people to play scenes more aggressive in their Shakespearean costumes so he's in overtime fixing them.
In a way, it's admirable to stay straight even after years in a theater troupe and the total destruction of civilization.
All is too much. Is both a little too much? I don't want him thinking that we're acting. What if we staggered these conversations so they feel spontaneous?
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DM 11/13
Eternal Sunshine isn't exactly conducive to that. We want to be evoking a simpler time. I could tell people to play scenes more aggressive in their Shakespearean costumes so he's in overtime fixing them.
DM 11/13
The Shakespearean costumes are Inches away from repair at All points, by now.
God, but this would make Niko go to him while he was so busy and be Blythe's Light in the Tunnel we'd be granting them Narrative Symmetry.
DM 11/13
Here's my other plan, which is admittedly the nuclear option: start crying in front of Blythe about how he can't leave us.
DM 11/13
You crying, or Me crying or us Both crying, or us All crying.
DM 11/13
All is too much. Is both a little too much? I don't want him thinking that we're acting. What if we staggered these conversations so they feel spontaneous?
DM 11/13
I like the idea of Staggered/Organic. I don't know that he'd ever Actually believe I'd Cry for real but I can Choke up
DM 11/13
If you just look away for a moment like you might cry, and then don't, that could actually be enough to worry him.
DM 11/13
When I look back my eyes will be just Maybe glistening.
DM 11/13
Perfect. He can't abandon us now.
DM 11/13
I think I should go first. You have to be our Big Finale so he'll know it's not just the troupe, it's His Leader too.